Background
My first day on set was a bit of a trial by fire. It was a big indoor scene on Supergirl, with at least 150 x BGs, and for some reason, I was singled out to play with the actors! I mentioned to the other two BGs that this was my first day, and they gave me a couple of tips like, "don't look directly at the camera", and "repeat your action the same each time, unless someone tells you differently". They gave me the basics of the timing, (we go on 'Background!'), the place where we start (First Mark) and the end mark, and the other terms that the Assistant Director (AD) yells out (Action, Cut, Reset, etc.)
| That stunned look of a BG newbie |
Luckily for new BGs, that is not how everyone's first day goes; most BG are not involved with the actors' actions in the scene. Typically, you'll be walking onto set with some or the rest of the BGs, and asked to stand off to the side to wait for either a 3rd AD or sometimes the BG wrangler to assign you an action. There will be a lot of crew around, sometimes two or three camera setups, lighting rigs and cables everywhere (watch your step!). When someone does assign you to an action (try to get their name), don't be afraid to clarify what they want you to do. e.g. "So after this guy walks by, I count 3 beats, and cross behind the actors? Or do you need me to walk in front and wipe the camera?" (It is definitely not the norm, but sometimes they want a busy scene, and have the BG passing between the camera and the actors).
| Crew adjusting the camera on a recent commercial shoot |
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| Sometimes, it ends up being more Foreground than Background |
The 3rd AD will likely give you all the guidance that you need; e.g. "can you walk a little faster", "give it another 3 or 4 beats before you leave", or one one of my favourites, "how about if you banana out over to that spot". Sometimes, they leave it up to the BG to make the scene, and will simply state, "you're in a busy office - we need lots of movement back here". All you have to do, is look for gaps or breaks in the action, and pass through that area, naturally of course. A frequent tip you will hear in BG, is that you should do whatever the last person told you to do. e.g. the 3rd might have you walk down the hallway, but then the AD asks you to stand and pretend to talk to the woman at the reception desk; you do the latter. Finally, when the cameras are not rolling, try to stay out of the way of the crew as they move about, trying to set up for the next shot.
BG should never leave set unless the 3rd or a wrangler sends you back to holding. Once in a while, the camera or a lighting rig will be where you are supposed to be, and the camera operator sends you away; good practice would be tell to the wrangler that you received direction from them to "relax". Similarly, if there's a long period of shooting, and you need to empty your bladder, wait for a break in the action and ask the 3rd or a wrangler if there's enough time to "10-1" (ten-one), or if #2 is your calling, then "10-2". Crafty runs should typically wait until you have been officially "relaxed" back to BG holding.
It may seem like a lot of information, and the first few times you step onto set it may seem a little daunting, but it will become familiar quite quickly. Even though every day on set is different, there is a certain pattern to things and it will become second nature eventually; you can literally go from being a newbie to a veteran BG in a handful of days. If you listen carefully and pay attention to what is happening around you, it is the easiest non-job there is.
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| The novelty of standing next to Jessica Biel wears off... after a couple of hours! |







